Ivano Bellini
Makes the Miami Scene
By Ned Davis
Published in the July 2003 issue of DJ Times Magazine
Volumn 17 - Number 7
In his two decades of DJing, Ivano Bellini has
become a fixture on the Miami music scene. Though he resides in
Manhattan, the Swiss-born house jock maintains three area residencies
(Space 54, Opium Garden and Crobar), performs globally and records
for S.F.P. Records, an imprint with many subsidiary labels that
he co-founded in 1996 with fellow DJs Pierre ZonZon and Marc Sacheli.
His varied approach to house, which includes tribal, progressive
and garage flavors, is represented on The Real Miami House Sessions,
his latest DJ-mix comp, and with his throbbing remixes of the 1996
hit “That Sound” by E-N feat. Ceevox. We caught up with
Ivano Bellini and talked tech.
DJ Times: What was
the Swiss club scene like when you were coming up?
Bellini: House music has been a big
part of the club scene there in some way since the late ’80s.
Before that, there was no house music. When I first started to play
in clubs, I could play anything from New Wave to what we used to
call Alternative Rock or I used to play some hip hop. I used to
play some freestyle – I mean stuff that you could dance to.
I was really into ’80s funk and soul music.

DJ Times: What’s your method of creating tracks?
Bellini: It depends. When I work on
a remix I already have a bass to work on because it’s taken
from an original. It’s either the vocal line or the melody
or the bassline that I can work with. So I just have to put my own
vision of the track and make it sound in a way that I can fit it
in my set – because that’s what I love to do. The only
reason I would produce and remix is for me to be able to fit it
in my set. I’m not trying to invent music for a crowd that
I don’t know. I try to do what I know and what I know can
work. It’s automatically designed for the dancefloor –
but not only the dancefloor, my dancefloor. If I can’t play
it in my set I’m not going to do it. It’s not gonna
fly.
DJ Times: Where
do the sounds and musical ideas come from?
Bellini: I just try to put sounds
that I like at the moment, take an idea from what I hear, and new
ideas. I’m not spending days and nights in the studios looking
for sounds. That’s why I have great sound engineers. That’s
what they do. I tell them what I’m looking for and they do
the research. They tweak the sounds and they prepare it. And we
find the good sounds.
DJ Times: Do you
catalog or digitize your records?
Bellini: It would take me the rest
of my natural lifetime. I’m waiting for Final Scratch to become
available on Mac platform. [Ed. Note – At presstime, Stanton’s
FS V1.1 powered by Native Instruments’ Traktor for Mac and
PC had just begun to ship to retail.] I’m going to start with
the new stuff. I’m not going to start back and take all the
old stuff and put them on the format to be used on Final Scratch.
But everything new that I buy I would digitize and make them ready
for use with Final Scratch. I mean, when you travel it’s just
so much easier.
DJ Times: What’s
in your ideal DJ booth?
Bellini: Two Technics MD3 turntables
– it’s the one with the little switch for the pitch
– the one that doesn’t have the middle click on the
zero. Also, three Pioneer CDJ-1000 CD players. As for the mixer,
I’m really open. I love the Pioneer DJM-600 and I love the
Rane 2016 combo. If it’s on a big sound system, I like the
UREI mixer. But it has to be on the big system – otherwise
you don’t really enjoy the full potential of it. You can put
a UREI mixer on a small system and it’s really not going to
sound much better.
DJ Times: What advice
do you have for young DJs?
Bellini: I hope that they love what
they do. I mean, I do. My main interest is the love of the craft
of mixing, playing the music that I love, the communication with
the people. The rest is just the cherry on top of the icing. It’s
fun to work. I’m having more fun now than I’ve ever
had before – because of the music, maybe because of the technology,
because of the work that I put in for 20 years to be where I am
right now. What I’m doing right now is just having fun.
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