Mix
the Vibe: Mix Is My Sanctuary
Danny
Krivit
King
Street Sounds
A
beautiful house mix from one of New York’s masters, this two-CD
set of relentless deep-house offers gems Kerri Chandler, Blaze,
Frankie Feliciano, Mood II Swing, Timmy Regisford and fellow
Body & Soul jock Joe Claussell. With banging tribal beats
and inspirational, soulful vocals, this is a flawless mix
comp. – Shawn Christopher
Subliminal
Sessions Two
Harry “Choo Choo” Romero
Subliminal
Forget Paris’ Dimitri and his tongue-in-cheek funk: Harry
“Choo Choo” Romero spins real international playboy music
– primal, gritty, and aggressively slow. On this, the second
installment in Subliminal’s DJ mixed series, the gifted producer
perfectly reflects the label’s developing sound – less about
loops, more about bass. In Romero’s world, funk is electric,
“fuck” is a required addition to almost any phrase, tribal
can comfortably live alongside Green Velvet, and house is
the origin of all things. It’s filthy, very unique, and essential.
– Kerri L. Mason
“Come
On (Get Up)”
Janet
Virgin
Manny Lehman transforms Ms. Jackson’s concert-opening number
into a club delight. A nice bongo-driven kick mixes with very
circuit-styled basslines for plenty of late-night energy.
Nice work. – Joe Bermudez
“Open
the Pod Door”
“Evil”
Eddie Richards
Matter/:Form
A
trio of tech-house cuts sure to give the after-party a full-on
brain massage. Sharp kicks and a forbidding, circular bassline
power up “Open the Pod Door,” while fellow A-side track “Underskopje”
submerges deeper with its hypnotic, near-tribal beat and distorted
vocals. “Old Klang Rd.” punches in with more regulation then
builds into a disturbed, synth-aided groove. Atmospheric,
wicked. – Jim Tremayne
Our
Day
DJ
Colette
Nettwerk America
Take
some deep Chicago house sounds, flawlessly mix them and add
the voice of an angel and you have the new mix comp from DJ
Colette. Her ability to vocalize and harmonize over tracks
on the fly has quickly gained her national attention and her
latest is filled with funky tracks from Hatiras (Richie Heller’s
mix of “Zulu Disco”) and Mr. G. (“Take-A-Toke”), as well as
many club favorites with new vocals ad-libbed in the mix (such
as “Under the Shower” from Prax Paris). – Joe Bermudez
“Caught
Up”
DJ
Disciple feat. Mia Cox
Groovilicious
The
“DJ Disciple Dub” combines elements of garage, disco, Latin
and even some harder house to give DJs a soulful and groovy
experience. The “Guido Osorio Vocal Mix” trades in the seductive
groove for sheer power. Heavily relying on Cox’s emotional
vocals, this track has some fierce dark synth work reminiscent
of Alcatraz’s “Give Me Love.” With one spin of either mix,
your crowd will quickly be caught up in this reliable groove.
– Joe Bermudez
“Babarabatiri”
Gypsymen
Sound Design
This
incredible Latin Euro-house record has a melody and hook that
will stick in your head for the long term. With heavy club
and radio play in Europe, this cut’s just impacting the States
now – with good results. Drop the needle on this one and wait
for the positive feedback. Featuring production from Todd
Terry and Masters At Work, this 12-incher is hot. – Mike D.
Merola
“Cherry
Lips”
Garbage
Almo Sounds
Garbage’s
latest puts heavier emphasis on melodies and emotionally direct
vocal passages. “Mauve’s Dark Vocal Mix” uses simple, catchy
basslines with lots of ambient sounds to create a sharp and
seductive vibe. Shirley Manson’s vocals are the key and they
command the dancefloor in a midst of sonic dazzle. – Joe
Bermudez
“Whenever,
Wherever”
Shakira
Epic
Complete
with its Andrean pan flutes and Brazilian drums, this across-the-board
smash has infiltrated clubland, thanks in part to Tracy Young’s
“Spin Cycle Mix” and the Tingo Jr. “1020 Mix.” Young’s mix
gives us a commercial-house feel with an occasional pounding
synth that will work nicely in most sets. Fellow Floridian
Tingo Jr. overhauls the song into a late-night workout. His
aggressive drum loops, dark basslines and vocal stutters are
sure to get your crowd dancing. – Joe Bermudez
“Brand
New Day”
Mike Macaluso
En-Soul Records
Written and produced by Eddie McDonald and “Final Chapter”
creator Mike Macaluso, this banger offers a different approach
from what we’re used to hearing from Mr. Macaluso. The groove
features a progressive edge, but adds a male singer and guitar.
Tasty. – Mike D. Merola