Volume
13 Number 11
November 2000
 Not
since the very early days of the “Disco 2000” parties has an average
Limelight crowd been considered particularly music-savvy. Generally,
Manhattan’s Limelight – an ex-church long ago converted into a den
of disco sin – stands as the quintessential bridge-and-tunnel venue,
a club that often attracts desperate hipsters lining Sixth Avenue
waiting for approval from sassy drag queens working the door...more >>>> |
Dubplates Made Easy
|
Despite
what you may have heard, the vinyl format has refused to die. In
fact, it continues to be the primary release format for a large
number of underground, rap, techno, experimental and dance labels.
For most mobile DJs, of course, the CD has replaced the “wax” of
yesteryear, but two turntables and a mixer still hold center court
at the majority of clubs and underground parties catering to the
dance, rave and scratch communities. |
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Nu Schooler
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The
Real
Slim Shady:
When
A Competitor Plays Dirty Pool, Sometimes Mobiles Must Take Matters Into
Their Own Hands
Garage
Globetrotters :
DJ/Producer Satoshi
Tomiie Gives Vocal House the Full Lick & Racks Up the Frequent Flyer
Points
Vinyl
Cuts :
When
He's Not Spinning for Beck, DJ Swamp is Redefining Cutting-Edge Scratch
Techniques
Franchise
Players :
Theivery
Corporation Talk About Their Punk Past, Their Suave Suits and What it
Means to be Downtempo
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SOUNDING
OFF: The Pro Audio Column
Crate & Mackie Speakers Offer Double Dose of Power
MOBILE OF THE MONTH:
Buckeye Jocks Blitzes Ohio Upper Crust
CLUB SPOTLIGHT:
Lotus Lifts Manhattan's Suave Set
SAMPLINGS:
George Acosta-
Injects Trance To South Beach
A Guy Called Gerald -
Returns To Find New Essence
DJ X -
Pumps the Funky Florida Breaks Sound
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